and complex as to render it necessary to institute a special

*Considering the fame acquired by Parsonstown from Lord Rosse's mirrors, it may be interesting to note the following extract from "The Natural History of Ireland," by Dr. Gerard Boate, Thomas Molyneux M.D., F.R.S., and others, which shows that 150 years ago Parsonstown was famous for its glass:--

"We shall conclude this chapter with the glass, there having been several glasshouses set up by the English in Ireland, none in Dublin or other cities, but all of them in the country; amongst which the principal was that of Birre, a market town, otherwise called Parsonstown, after one Sir Lawrence Parsons, who, having purchased that lordship, built a goodly house upon it; his son William Parsons having succeeded him in the possession of it; which town is situate in Queen's County, about fifty miles (Irish) to the southwest of Dublin, upon the borders of the two provinces of Leinster and Munster; from this place Dublin was furnished with all sorts of window and drinking glasses, and such other as commonly are in use. One part of the materials, viz., the sand, they had out of England; the other, to wit the ashes, they made in the place of ash-tree, and used no other. The chiefest difficulty was to get the clay for the pots to melt the materials in; this they had out of the north."--Chap. XXI., Sect. VIII. "Of the Glass made in Ireland."

Birr Castle itself is a noble mansion with reminiscences from the time of Cromwell. It is surrounded by a moat and a drawbridge of modern construction, and from its windows beautiful views can be had over the varied features of the park. But while the visitors to Parsonstown will look with great interest on this residence of an Irish landlord, whose delight it was to dwell in his own country, and among his own people, yet the feature which they have specially come to observe is not to be found in the castle itself. On an extensive lawn, sweeping down from the moat towards the lake, stand two noble masonry walls. They are turreted and clad with ivy, and considerably loftier than any ordinary house. As the visitor approaches, he will see between those walls what may at first sight appear to him to be the funnel of a steamer lying down horizontally. On closer approach he will find that it is an immense wooden tube, sixty feet long, and upwards of six feet in diameter. It is in fact large enough to admit of a tall man entering into it and walking erect right through from one end to the other. This is indeed the most gigantic instrument which has ever been constructed for the purpose of exploring the heavens. Closely adjoining the walls between which the great tube swings, is a little building called "The Observatory." In this the smaller instruments are contained, and there are kept the books which are necessary for reference. The observatory also offers shelter to the observers, and provides the bright fire and the cup of warm tea, which are so acceptable in the occasional intervals of a night's observation passed on the top of the walls with no canopy but the winter sky.

Almost the first point which would strike the visitor to Lord Rosse's telescope is that the instrument at which he is looking is not only enormously greater than anything of the kind that he has ever seen before, but also that it is something of a totally different nature. In an ordinary telescope he is accustomed to find a tube with lenses of glass at either end, while the large telescopes that we see in our observatories are also in general constructed on the same principle. At one end there is the object-glass, and at the other end the eye-piece, and of course it is obvious that with an instrument of this construction it is to the lower end of the tube that the eye of the observer must be placed when the telescope is pointed to the skies. But in Lord Rosse's telescope you would look in vain for these glasses, and it is not at the lower end of the instrument that you are to take your station when you are going to make your observations. The astronomer at Parsonstown has rather to avail himself of the ingenious system of staircases and galleries, by which he is enabled to obtain access to the mouth of the great tube. The colossal telescope which swings between the great walls, like Herschel's great telescope already mentioned, is a reflector, the original invention of which is due of course to Newton. The optical work which is accomplished by the lenses in the ordinary telescope is effected in the type of instrument constructed by Lord Rosse by a reflecting mirror which is placed at the lower end of the vast tube. The mirror in this instrument is made of a metal consisting of two parts of copper to one of tin. As we have already seen, this mixture forms an alloy of a very peculiar nature. The copper and the tin both surrender their distinctive qualities, and unite to form a material of a very different physical character. The copper is tough and brown, the tin is no doubt silvery in hue, but soft and almost fibrous in texture. When the two metals are mixed together in the proportions I have stated, the alloy obtained is intensely hard and quite brittle being in both these respects utterly unlike either of the two ingredients of which it is composed. It does, however, resemble the tin in its whiteness, but it acquires a lustre far brighter than tin; in fact, this alloy hardly falls short of silver itself in its brilliance when polished.

[PLATE: LORD ROSSE'S TELESCOPE. From a photograph by W. Lawrence, Upper Sackville Street, Dublin.]

The first duty that Lord Rosse had to undertake was the construction of this tremendous mirror, six feet across, and about four or five inches thick. The dimensions were far in excess of those which had been contemplated in any previous attempt of the same kind. Herschel had no doubt fashioned one mirror of four feet in diameter, and many others of smaller dimensions, but the processes which he employed had never been fully published, and it was obvious that, with a large increase in dimensions, great additional difficulties had to be encountered. Difficulties began at the very commencement of the process, and were experienced in one form or another at every subsequent stage. In the first place, the mere casting of a great disc of this mixture of tin and copper, weighing something like three or four tons, involved very troublesome problems. No doubt a casting of this size, if the material had been, for example, iron, would have offered no difficulties beyond those with which every practical founder is well acquainted, and which he has to encounter daily in the course of his ordinary work. But speculum metal is a material of a very intractable description. There is, of course, no practical difficulty in melting the copper, nor in adding the proper proportion of tin when the copper has been melted. There may be no great difficulty in arranging an organization by which several crucibles, filled with the molten material, shall be poured simultaneously so as to obtain the requisite mass of metal, but from this point the difficulties begin. For speculum metal when cold is excessively brittle, and were the casting permitted to cool like an ordinary copper or iron casting, the mirror would inevitably fly into pieces. Lord Rosse, therefore, found it necessary to anneal the casting with extreme care by allowing it to cool very slowly. This was accomplished by drawing the disc of metal as soon as it had entered into the solid state, though still glowing red, into an annealing oven. There the temperature was allowed to subside so gradually, that six weeks elapsed before the mirror had reached the temperature of the external air. The necessity for extreme precaution in the operation of annealing will be manifest if we reflect on one of the accidents which happened. On a certain occasion, after the cooling of a great casting had been completed, it was found, on withdrawing the speculum, that it was cracked into two pieces. This mishap was eventually traced to the fact that one of the walls of the oven had only a single brick in its thickness, and that therefore the heat had escaped more easily through that side than through the other sides which were built of double thickness. The speculum had, consequently, not cooled uniformly, and hence the fracture had resulted. Undeterred, however, by this failure, as well as by not a few other difficulties, into a description of which we cannot now enter, Lord Rosse steadily adhered to his self-imposed task, and at last succeeded in casting two perfect discs on which to commence the tedious processes of grinding and polishing. The magnitude of the operations involved may perhaps be appreciated if I mention that the value of the mere copper and tin entering into the composition of each of the mirrors was about 500 pounds.

In no part of his undertaking was Lord Rosse's mechanical ingenuity more taxed than in the devising of the mechanism for carrying out the delicate operations of grinding and polishing the mirrors, whose casting we have just mentioned. In the ordinary operations of the telescope-maker, such processes had hitherto been generally effected by hand, but, of course, such methods became impossible when dealing with mirrors which were as large as a good-sized dinner table, and whose weight was measured by tons. The rough grinding was effected by means of a tool of cast iron about the same size as the mirror, which was moved by suitable machinery both backwards and forwards, and round and round, plenty of sand and water being supplied between the mirror and the tool to produce the necessary attrition. As the process proceeded and as the surface became smooth, emery was used instead of sand; and when this stage was complete, the grinding tool was removed and the polishing tool was substituted. The essential part of this was a surface of pitch, which, having been temporarily softened by heat, was then placed on the mirror, and accepted from the mirror the proper form. Rouge was then introduced as the polishing powder, and the operation was continued about nine hours, by which time the great mirror had acquired the appearance of highly polished silver. When completed, the disc of speculum metal was about six feet across and four inches thick. The depression in the centre was about half an inch. Mounted on a little truck, the great speculum was then conveyed to the instrument, to be placed in its receptacle at the bottom of the tube, the length of which was sixty feet, this being the focal distance of the mirror. Another small reflector was inserted in the great tube sideways, so as to direct the gaze of the observer down upon the great reflector. Thus was completed the most colossal instrument for the exploration of the heavens which the art of man has ever constructed.

[PLATE: ROMAN CATHOLIC CHURCH AT PARSONSTOWN.]